Recorded by: Giulio Cesare Ricci


Zusammenstellung besonders hörenswerter Fone Aufnahmen durch Toningenieur Giulio Cesare Ricci. Gefühlvoll, lyrisch, poetisch und sinnlich präsentieren sich die ausgewählten Tracks auf "Adagio ma non troppo" und entführen den Zuhörer in eine Welt voller Gefühl. Die unterschiedlichen akustischen Begebenheiten wie z.B. unterschiedliche Kirchen, Theatern und Studios sorgen für ein wahres Hörerlebnis.


Equipment:
valve microphones: Neumann U47, U48, M49
mike pre-amplifiers: Signoricci line, digital, microphone,
supply cables: Signoricci
recorded in stereo Direct Stream Digital (DSDTM) on the Pyramix Recorder using dCS A/D and D/A converters

tracks of big emotion, big lirism and poetry

Since founding fon more that 28 years ago, I have created many sample tracks, selected from recordings I made over time. But this time I was diversely inspired. I wanted to unite the music with a common denominator under the title “Andante ma non troppo: emotion, lyricism, poetry, sensuality, peace..
Songs to make you dream and cast your thoughts far away in a world of pure and true feelings. I recorded each song in a different place: an ancient palace, a church, a cathedral, a chapel, a nineteenth-century theatre, a music room, another music room, another theatre and so on...
Many historical sites, different acoustical environments, lots of emotions

Titel:

1) OBLIVION
Oblivion (A. Piazzolla) 4'30
Salvatore Accardo Orchestra da Camera Italiana - SACD 019
Pontificio Istituto di Musica Sacra, Roma
2) VIVALDI IL CANTO, DALLO STRUMENTO ALLA VOCE
Concerto in La min op.3 n.9 per violino e archi largo (A. Vivaldi) 2'58
fon ensemble - Marco Fornaciari Leonardo Colonna Ernesto Merlini - SACD 057 Chiesa di Santa Maria Assunta, Fabbrica di Peccioli (Pi)
3) CONCERTS AND FOLLIES IN PERGOLESI'S TIME
Concerto in sol minore per due celli, archi e continuo RV 531 largo (A. Vivaldi) 3'31
I Musici - SACD 066
Casa di Spiritualit S. Teresa Padri Carmelitani Scalzi, Caprarola (Vt)
4) J.S. BACH ORGANI DELLA “NUOVA OLANDA
Concerto in do minore BWV 981, op.1 n.3 grave (J.S. Bach) 2'56
Edoardo Bellotti - SRCD 93.19
Organo Nacchini, Madrisio
5) J.S. BACH SONATE E PARTITE
Sonata II per violino solo BWV 1003 grave (J.S. Bach) 4'10
Salvatore Accardo - SACD 061
Pieve del Convento dei Cappuccini, Peccioli (Pi)
6) VESUVIO 1727
Concerto in La maggiore D69 largo andante (G. Tartini) 5'36
Salvatore Accardo Orchestra da Camera Italiana SACD 040
Teatro Ponchielli, Cremona
7) MOZART PIANO MUSIC
Sonata in D major KV 576 adagio (W.A. Mozart) 4'38
Charles Rosen - SACD 025
Sala Musica “Caetani, Villa di Ninfa Giardini di Ninfa (Lt)
8) THE MASTER
Romanza per violino e orchestra n.2 in fa maggiore op.50 (L.v.Beethoven) - 8'46
Salvatore Accardo Orchestra da Camera Italiana - SRCD 037
Sala del Conservatorio di Santa Cecilia, Roma
9) FRYDERYCK CHOPIN
Sonata op.65 largo (F. Chopin) 3'58
Rocco Filippini Michele Campanella SACD 069
Teatro Ponchielli, Cremona
10) SERENATA ITALIANA
Italiana (Ignoto, arr. O. Respighi) 2'39
I Musici - SACD 063
Teatro Comunale Francesco Paolo Tosti, Ortona (Ch)
11) I VIOLINI DI CREMONA - Omaggio A Kreisler
Andante cantabile (P. Tchaikovsky op.11 arr. F. Kreisler) 6'14
Salvatore Accardo Laura Manzini - SACD 030
Palazzo Cavalcab, Cremona
12) IGOR STRAVINSKY The complete published piano works
Les cinq doigts larghetto (I. Stravinsky) 1'32
Giacomo Franci - SACD 070
Teatro Persio Flacco, Volterra (Pi)
13) IGOR STRAVINSKY The complete published piano works
Les cinq doigts moderato (I. Stravinsky) 0'39
Giacomo Franci - SACD 070
Teatro Persio Flacco, Volterra (Pi)
14) ESTRIO
Trio n.2 in mi minore op.67 per violino, cello e pianoforte largo (D. Sostakovic) 4'49 Estrio - Laura Gorna Cecilia Radic Laura Manzini - SRCD 3003
Teatro Ponchielli, Cremona

Total tracks time 57'03

Notes on an audiophile CD
A truly audiophile CD, in our views, should:
a) posses the very best performance of the music of its kind;
b) be manufactured by the most meticulous and advanced process so that the in- tegrity of the original recording is maintained. The Fon compact discs in the “Refer- ence Gold 24K series, have been produced following in the strictest way the below standards: the titles in the range have been selected from the Fon catalogue for their artistical and musical value and for the superior recording quality. And trying “to perfect the best, are now issued on a 24K Gold support. These are more in details some of the distinctive features of the “Reference Gold.

Gold metallization
Research has revealed that among all types of metallization (e.g. aluminium, super aluminium, anodized gold-colour aluminium) 24 Karat Gold bears the most impres- sive specifications in terms of uniformity of metal deposition, reflectivity and the least number of visible pin holes.

Zero Bler
The word “Bler is the short form of “Block Error Rate. According to the “Red Book specifications of Philips on the standard quality of production of a compact disc, a stamper that contains not more than 200 “Blers is still within tolerance. In a ideal situation, zero Bler is the ultimate quality and can, in principle, be achievable by to- days technology. In the Fon, "Reference Gold range we reject any stamper that has Blers higher than 50!

Reflectivity
Lab tests have confirmed that 24 karat Gold CD has the highest laser beam reflectiv- ity rating. The high reflectivity allows the reading laser beam to be reflected back to the photo-detector at nearly full power, virtually eliminating any laser photon scatter- ing, absorption of distortion, hence, dramatically reducing data reading errors.

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